Instructor: Katharine Capshaw
Prerequisite: ENGL 1010 or 1011 or 2011
This survey of the short story will analyze its central features (plot, point of view, characterization, setting, theme, and symbol). The second half of the course will include attention to Edwidge Danticat, a contemporary major writer. Our goal is to understand our own engagement with stories. Why do we like what we like? Why do some stories make us cringe? Why do others transport us emotionally or intellectually? How do stories build whole worlds in such limited space? In analyzing the approaches that generate our responses, we’ll examine diction, structure, tone, imagery, patterns, beginnings, and conclusions. Our readings are structured through particular ideas that writers pursue – ideas about love, war, childhood, loss, and the strange and surprising human condition.
(CA 1)