Author: Jaclyn Chancey

ECON 2103: Honors Core: Deep Roots of Modern Societies

[UConn Storrs]

Requires ECON 1200 or both ECON 1201 and 1202.

This course examines the sources of challenging issues facing modern societies, such as poverty, gender roles, discrimination, migration, labor coercion, and armed conflict. Going beyond the study of limited proximate reasons affecting these problems, we analyze ever deeper, more fundamental causes that lie deep in history and natural conditions, such as colonization, slavery, globalization, warfare, geographic endowment, and environmental history. You will learn innovative methods to analyze important questions and scientific standards to communicate ideas and critique other approaches.

The course will consist of three parts. In the first part, you will learn recent methods of economic history to differentiate between proximate reasons and deep roots. The second part will apply these insights to investigate the effects of historical and geographic factors on specific contemporary issues and the channels of transmission between the past and present. In the final part, you will examine differences between traditional and modern societies with the objective of answering why certain traditional practices have disappeared while others have persisted over time.

Each student will choose a geographic region of the world and one of the issues to be covered in the course. This choice will guide your individual research and exploration and be the basis for your paper and presentation assignments.

ECON 2103: Honors Core: Deep Roots of Modern Societies

[UConn Storrs]

Requires ECON 1200 or both ECON 1201 and 1202.

This course examines the sources of challenging issues facing modern societies, such as inequality, racism, sexism, and armed conflict. You will learn pathbreaking approaches that inform our understanding of these issues by revealing their historical roots and the channels that transmitted these roots to today.

The course will consist of three parts. In the first part, we will survey a brief economic history of the World, our long journey from a period in which human life was “nasty, brutish, and short,” to highly developed modern societies with vastly higher but unequal living standards. The second part will examine the origins of our journey by differentiating between the proximate reasons and deep roots of today’s problems and the channels of transmission between the past and present. We will study the relative importance of institutions, culture, geographic endowment, agricultural history, and human diversity. In the third part, we will apply these insights to examine the deep roots of some of the important problems facing modern societies.

Each student will choose a geographic region of the world and one topic from each of the three parts of the course. These choices will guide your individual research and exploration and be the basis for your writing and presentation assignments. You will have the opportunity to contribute to class discussion from the perspective of your region and topics.

ECON 1108: Game Theory with Applications to the Natural and Social Sciences

Introduction to game theory examines applications in the natural and social sciences and technology, which may include electric power auctions, evolutionary biology, and elections. The course is an opportunity for students to begin to think strategically about many types of problems found in science, social settings, and even university life.

In this course, students will learn: To recognize strategic behavior—and the potential for strategic behavior—in a variety of situations, for example, in social and political situations and even in the natural sciences. To solve games, use solutions to predict and explain behavior, and recognize and learn from the successes and failures of their analyses. How to work through a sequence of short directed projects to learn that choosing a topic for the Honors thesis is not quite as daunting as they may believe.

ECON 1108: Game Theory with Applications to the Natural and Social Sciences

[UConn Stamford]

Introduction to game theory examines applications in the natural and social sciences and technology, which may include electric power auctions, evolutionary biology, and elections. The course is an opportunity for students to begin to think strategically about many types of problems found in science, social settings, and even university life.

In this course, students will learn: To recognize strategic behavior—and the potential for strategic behavior—in a variety of situations, for example, in social and political situations and even in the natural sciences. To solve games, use solutions to predict and explain behavior, and recognize and learn from the successes and failures of their analyses. How to work through a sequence of short directed projects to learn that choosing a topic for the Honors thesis is not quite as daunting as they may believe.

ECON 1108: Game Theory with Applications to the Natural and Social Sciences

[UConn Stamford – Distance Learning]

Introduction to game theory examines applications in the natural and social sciences and technology, which may include electric power auctions, evolutionary biology, and elections. The course is an opportunity for students to begin to think strategically about many types of problems found in science, social settings, and even university life.

In this course, students will learn: To recognize strategic behavior—and the potential for strategic behavior—in a variety of situations, for example, in social and political situations and even in the natural sciences. To solve games, use solutions to predict and explain behavior, and recognize and learn from the successes and failures of their analyses. How to work through a sequence of short directed projects to learn that choosing a topic for the Honors thesis is not quite as daunting as they may believe.

Note This course will be offered online, and registration is open to Honors students across all UConn campuses. If you are a non-Honors student interested in this course and the Honors Program, please email the instructor (vicki.knoblauch@uconn.edu) and Kaitlin Heenehan (kaitlin.heenehan@uconn.edu) to request a permission number.

ARTH 2198-001: (Variable Topics) Race, Gender, and the Power of Looking

We are often told that we live in a singularly visual age, where most information is communicated to us via some platform, frame, or program. Yet as we are increasingly dominated by the visual, we seem to be learning less and less about how to read, interpret, engage, or resist the visual culture that swirls around us. This class looks to intervene in that trend and will be a beginning investigation into the issues of what is visual culture and how we might define visual literacy. Thematically then, this class will focus on how we see, or do not see, race, gender, and sexuality.

With those parameters, the major questions the class seeks to address are: What does gender look like? Who has historically been invested in particular ideas of “men” and “women?” How do people “know” race visually? How have artists and others attempted to intervene or disrupt these sight lines? Can we remake how we see race and gender? How do different mediums (sculpture, print, film, or digital) affect how we see bodies?

2000-level. No previous art or visual culture courses needed. An introduction to both visual culture and critical race and gender studies.

AFRA/ARTH 2222: Race, Gender, Sexuality, and the Power of Looking

[UConn Storrs]

We are often told that we live in a singularly visual age, where most information is communicated to us via some platform, frame, or program. Yet as we are increasingly dominated by the visual, we seem to be learning less and less about how to read, interpret, engage, or resist the visual culture that swirls around us. This class looks to intervene in that trend and will be a beginning investigation into the issues of what is visual culture and how we might define visual literacy. Thematically then, this class will focus on how we see, or do not see, race, gender, and sexuality.

With those parameters, the major questions the class seeks to engage with are: How do people “know” race visually? Who has been invested in seeing race and racial difference? How have artists and others attempted to intervene or disrupt these sight lines? What does gender look like? Can we remake how we see race and gender? What about how intimacy is viewed and the definitions of sexuality created; how have these categories been visually  constructed and how can they be re-imagined? How do different mediums (sculpture, print, film, or digital) affect how we see bodies?

DMD 3998-012 (Variable Topics): Visual Representations of Armenian Memory

Instructor: Catherine Masud

Fridays 10:10 AM – 3:20 PM (with lunch break). Email catherine.masud@uconn.edu or stacy.webb@uconn.edu for permission number.

Seeking talented students who are: Film Editors, Motion Graphics Animators, Graphic Designers, Historians, Writers.

In this course, students will develop a deeper understanding of and appreciation for the ways in which audio-visual media can be used to recreate memory of lost communities. Students will produce a collaborative documentary film project that integrates primary archival materials with their own student-generated graphics, animations, and sound treatments. The film and supporting presentation materials will premiere at a conference near the end of the term. In addition, students will develop individual creative projects that enable them to reflect on the intersection of history and personal memory.

The collaborative film project will tell the multi-dimensional story of Armenian history and culture that was lost due to ethnic cleansing and genocide. The Armenian Holocaust (1915-19) resulted in the systematic extermination of the majority of the Armenian Christian population within the Ottoman Empire and the subsequent expulsion of survivors from Turkey. The historical circumstances surrounding this period are still controversial today. For more information, visit houshamadyan.org.

This course will be taught by award-winning filmmaker, Catherine Masud, who has a passion for national memory and oral history narratives. This unique course offers students the chance to develop their professional skills under the guidance of a master filmmaker and expert historians. This course is also an opportunity for students with an interest in history and human rights to engage in a compelling, historical narrative which is still relevant and deserving of understanding today.

ENGL/AFRA 3213W-001: 18th & 19th Century African American Literature

Instructor: Shawn Salvant

Prerequisite: ENGL 1010 or 1011 or 2011; open to juniors or higher. Sophomore Honors students should email Prof. Salvant for a permission number.

This course provides a survey of eighteenth and nineteenth-century African American literature. We will examine early African American literature, reading work by authors such as James Gronniosaw and Phillis Wheatley with emphasis on their transatlantic production, religious themes, and contributions to the development of the African American vernacular tradition. We will study the African American oral and rhetorical traditions as exemplified in anti-slavery speeches and essays by Sojourner Truth, David Walker, Frederick Douglass and others. In a unit on the slave narrative, we’ll discuss the literary and political dimensions of this genre so influential to the development of 20th and 21st Century African American literature. We’ll conclude by examining early African American novels and novels of the Reconstruction and post-Reconstruction era by such figures as Charles Chesnutt. Students will become familiar with the development of African American literary history and the recurring themes of the period as well as the literary and cultural significance of each text and author. We will also track the forces shaping this period of African American literature—historical and political movements (slavery, emancipation, reconstruction), modes of expression and production (literacy and orality, authentication), and literary forms (imagery, symbolism, narrative, genre, style). Primary texts will be supplemented by scholarly secondary readings. Final grade will be based on quizzes, discussion question assignments, midterm exam, participation, 1-2 short essays, final paper and/or a final exam.

(CA 4)

ENGL 2413-001: The Graphic Novel

Instructor: Katharine Capshaw

Prerequisite: ENGL 1010 or 1011 or 2011 

This course explores the history and theory of the graphic novel.  We will explore a variety of approaches to the genre, from superhero narratives to graphic memoir, from manga to contemporary experimental texts.  While no single course can offer a comprehensive summation of such a vast and various body of work, our class will address the field’s major generic threads. We will also develop an understanding of the ‘grammar’ involved in reading a panel, page, and entire comics sequence. Alongside the narratives we will read secondary sources that explore aesthetic and theoretical debates within the field.  One of our objectives is to support each other as we engage the critical discourse around comics and graphic novels: we will share sources and insights and offer constructive feedback as we work together to produce informed and incisive term papers.

(CA 1)