Topic: The Art of Storytelling

Instructor: Clare Costley King’oo

Prerequisite: ENGL 1010, 1011, or 2011

In this Honors course, designed primarily for non-English-majors, we will encounter several works judged to be literary masterpieces. Our aim will be to explore the art of imaginative story-telling over time, from the Middle Ages to the twentieth century (i.e., from Chaucer to Achebe). We will consider questions of narration, representation, genre, literary authority, intertextuality, and canonicity. Our discoveries will be the focus of our own rigorous writing practices, as we work on improving our argumentative and stylistic skills through a range of reports and essays (with revisions). Lively participation in class discussions will be expected and warmly encouraged.

CA 1, W.

Topic: Chinese Literature and Culture

Instructor: Patrick Hogan

Prerequisite: ENGL 1010, 1011, or 2011
This course may be repeated for credit with a change in topic.

The literary and cultural traditions of China are vast. Clearly, one cannot cover anything even approximating their range in a single course. In this class, we will focus on a few elements of Chinese tradition, exploring them in greater detail. Specifically, the course will begin with a careful reading of Confucius with perhaps some reference to Laotze and/or Mencius. We will then work through some Chinese lyric poems, principally following Cai Zong-qi’s How to Read Chinese Poetry. Some of this poetry extends back to the ancient beginnings of Chinese literary tradition. Following this, we will treat a collection of Yuan drama (13th-14th centuries C.E.), focusing on the relation of the works to historical concerns (e.g., Mongol domination and Chinese national identity). After this, we will consider some prose work. Depending on what is available, this may be the first volume of Cao Xueqin’s Story of the Stone (a.k.a., Dream of the Red Chamber, 18th century) or perhaps some popular story, such as the often retold tale of “the butterfly lovers,” Liang Shanbo and Zhu Yingtai. The final section of the course will treat one or two works of recent Chinese cinema (e.g., Lu Chuan’s Nanjing! Nanjing!), considering both their thematic concerns and their formal techniques. Midterm, final, short written responses to some of the readings, class presentations.

CA 4-Int.

Instructor: Yohei Igarashi

Prerequisite: ENGL 1010, 1011, or 2011

This course is a beginner’s guide to reading poetry, organized around the study of canonical or “classic” British poems. Along the way, the course introduces elements of poetic form, rhetorical and literary terms, poetic genres, and questions about the status of poetic discourse in society. Assignments include a shorter and a longer paper, in addition to a midterm and final.

CA 1

Instructor: David B. Miller

Prerequisites: BIOL 1102 or 1107; PSYC 1100

PSYC 3201 ANIMAL BEHAVIOR is an overview of the scientific study of animal behavior covering a broad range of topics, including evolution, adaptation, domestication, mating, communication, development, ethological concepts, and much more. The course is constructed around many examples from the scientific literature on a wide range of species. This is actually a “hybrid” course, in that 90% of the material is available day and night via streaming screencast videos. Around 8 in-class sessions allow for the presentation of additional content that is not contained in the screencasts, and around 6 in-class sessions are devoted to questions and answers. This is a combined class, with 185 seats open to all students (who register in Section 001) and 15 seats reserved for Honors students (who register in Section 002 for automatic Honors credit). Honors students meet once weekly for around an hour for a discussion session. The instructor is Professor David B. Miller, of the Department of Psychological Sciences, who has an extensive background in field and laboratory animal behavior research, primarily on birds.

Instructor: Prof. Ralf Schiffler

Students with an interest in Algebra and Combinatorics may be interested in this Honors seminar. Appropriate for any junior or senior with substantial mathematical background and interest, not just math majors.

A quiver is an oriented graph. A quiver representation is a collection of vector spaces and linear maps; one vector space V_i for each vertex i of the quiver and one linear map f_{ij} from V_i to V_j for each arrow i–>j of the quiver.

The complexity of different representations depends on the quiver. For some (few) quivers we can explicitly write down a finite number of representations such that any representation of the quiver can be constructed from our finite list by taking direct sums and using isomorphisms.  In these cases our finite list can be constructed combinatorially in the so-called Auslander-Reiten quiver.

We will study the properties of quiver representations, and see how to compute the Auslander-Reiten quiver in specific examples, using algebraic methods as well as combinatorial methods for example triangulations of polygons.

Contact Prof. Schiffler with any questions or to request a permission number.