Instructor: John Salamone

In Spring 2021, there is a small in person section (002) and a larger distance learning section (001). Prof. Salamone encourages Honors students to register for section 002 if possible.

Prerequisite: PSYC 1100 or BIOL 1107

While this is not an Honors course, Prof. Salamone welcomes Honors students of all majors and would be happy to offer Honors conversions for interested students.

An overview of drug effects on chemical transmission in the nervous system, with an emphasis on the behavioral/psychological effects of drugs. This includes drugs used for psychiatric and neurological treatments, as well as drugs of abuse.

DMD 3998-008 (Variable Topics) & HRTS 3540-002 (Topics in Human Rights Practice)

Instructor: Catherine Masud

This practice-based course will introduce students to the use of human rights archival materials in documentary storytelling. In the first part of the course students will study the technique and aesthetics of documentary treatments utilizing archival materials, while also gaining exposure to archival best practices, specifically looking at the Thomas J. Dodd Nuremberg Trial collections held in the University of Connecticut Library Archives. Later in the course students will produce a collaborative documentary film project that integrates primary archival materials from the Nuremberg collections, filmed interviews, and their own student generated graphics, animations, and audio treatments. In addition, students will develop individual creative projects on a human rights-related theme using archival collections to enable them to reflect on the importance of history, witnessing, and memory in human rights film practice.

University Honors Laureate: This Variable Topics course will count toward the Arts & Humanities category.

Instructor: Clarissa Ceglio

Prerequisites: Open to sophomores or higher.

While this is not an Honors course, Prof. Ceglio welcomes Honors students of all majors and would be happy to offer Honors conversions for interested students. Experience with digital media tools welcome but not required.

Museums are sites of activism, protest, and struggle over such critical issues as representation, cultural ownership, public accountability, and national belonging. Through a series of case studies, we will explore the history of activists, museum practitioners, and others who, from the late 1800s to the present, have challenged museums to become more inclusive, equitable, and active in civic life. Equipped with that background, we’ll grapple with one of the most difficult questions facing the field today: Should be museums be a medium for social justice and activism on such urgent civic issues as climate change, voter’s rights, immigration, and anti-Black racism? What are the opportunities, limits, and issues for institutions that step beyond traditional notions of museum neutrality? Students will use this knowledge to help present the past, present, and future of museum activism in digital form, working with a team of scholars and practitioners on a Greenhouse Studios digital publication.

This course will be offered online (asynchronous). You will have access to class materials online using HuskyCT, and you will not be expected to be available at any particular time.

Contact clarissa.ceglio@uconn.edu for questions and permission number

For more information about Greenhouse Studios, for which Professor Ceglio is Associate Director of Research, see:

SECTIONS 001, 002 

Instructor: Marie Coppola

While this is not an Honors course, Prof. Coppola welcomes Honors students and would be happy to offer Honors conversions for interested students.

This course will introduce you to the scientific study of children’s development, with a focus on development from conception through adolescence. In particular, you will become familiar with the major theoretical perspectives on child development and with the techniques and findings from research projects carried out from these different perspectives. We will cover several fundamental aspects of development, including the foundations of brain development; perceptual, cognitive, conceptual, language, and emotional development; cultural and social influences; and the implications of this research for social policy and decision-making.

The following MATH courses will be offered as Honors in Spring 2021, all via distance learning:

The topics for MATH 3094 (Undergraduate Seminar) change every semester. For Spring 2021, the topic is Machine Learning.

Instructor: Christine Kirchhoff

While this is not an Honors course, Dr. Kirchhoff welcomes Honors students of all majors and would be happy to offer Honors conversions for interested students. 

In this course, we examine anthropogenic impacts on the environment, resulting from the need for energy, food, water, and shelter, and discuss various strategies to improve economic, social, and environmental sustainability.  We ground what we learn in readings and from the scientific literature with case studies of UConn activities/programs targeting improvements in campus sustainability as well as case studies of examples of urban and corporate sustainability efforts here in the US and abroad.

CA 2, E.

All three of these courses carry the pre-requisite of first-year writing (ENGL 1007, 1010, 1011, or 2011).

ENGL 1701-003: Creative Writing I

Instructor: Ellen Litman

This introductory class will concentrate on poetry, short fiction, and creative nonfiction. Students will learn by writing original work, reading and discussing the work of published authors, responding to their classmates’ stories, poems, and essays, and trying to help one another. We’ll begin by doing a series of exercises, eventually working our way toward producing three to four poems, one finished piece of creative nonfiction, and one short story, all of which we will workshop in class. Students should be prepared to read and write a lot and actively participate in class and online discussions.

ENGL 2409-001: The Modern Novel

Instructor: Margaret Breen

This is an exciting reading-intensive course. We will be reading a selection of significant novels of the last 125 years from a range of cultural contexts—novels important for both the stories they tell (stories regarding alienation, resilience, resistance, violence, memory, and forgetting) and the ways in which those stories are told (ways regarding narrative technique, point of view, plot construction, metaphor, and so on). In short, this is a course on the modern novel, where “modern” refers to both the new kinds of stories these texts recount and the innovative formal means that facilitate and create that recounting.

Likely texts: Bram Stoker’s Dracula (1897), Virginia Woolf’s Mrs Dalloway (1925), Jesmyn Ward’s Salvage the Bones (2011), Jenny Erpenbeck’s Go, Went, Gone (2017 [2015]), Jordy Rosenberg’s Confessions of the Fox (2018), and Ocean Vuong’s On Earth We’re Briefly Gorgeous (2019)

Likely assignments: a short, 75-minute essay exam; a 5-6 essay or creative project; a final 6-8 page essay or creative project.

CA 1. 

ENGL 3122-001:Irish Literature in English since 1939

Instructor: Mary Burke

Open to juniors or higher.

This Honors course will situate contemporary Irish drama, prose, and poetry in its evolving historical, social, linguistic, and political contexts. No previous knowledge of Irish writing or culture is assumed. Authors to be discussed include Elizabeth Bowen, Seamus Heaney, Martin McDonagh, Glenn Patterson, and Claire Kilroy. Some contemporary Irish films or films on a contemporary Irish theme (e.g. McDonagh’s 2005 Oscar-winning short) will be considered alongside the literary texts. Group discussion will be at the center of class. Writing: a practice essay, a midterm paper, a presentation, film reports, and a final exam.

CA 4-Int.